Sunday, April 16, 2023

Flash Fiction: Amidst the Sleeping Castle, by Liam Q. D. Hall

A few days ago, we shared a Flashes of Wonder writing prompt titled "Rendering Villainy through Costuming." We received several responses, and our favorite came from Liam Q. D. Hall. In his piece titled "Amidst the Sleeping Castle," Liam has created a captivating character--a queen who is as inorganic and inhuman as a crystal, with sharp edges to match. To fully appreciate the effect of this story, we recommend checking out the original writing prompt that inspired it.

Amidst the Sleeping Castle
By Liam Q. D. Hall

The black figure’s footfalls resounded off the paving stones, echoed off the white walls of the castle, carried his arrival to the denizens. Bodies crowded the court, dressed in the colors of red, blue, and purple. They wore the emblem of citizenry in patches upon their shoulders, on brooches on their bosoms, and on buckles on their belts. 

Only the soleil clad solein exile in black moved among the reposed crowd. Sighs and snores could be heard in the quietude. Some chests rose and fell, eyes flitting behind lids on sweating faces dreaming of spring while trapped in winter. Other’s stared sightless from grinning skulls, their bodies opened, the ribs white upon the clean white stone. 

The Exile’s recusant blood refused to slumber under the spell. He walked through the immaculate arches and marmoreal colonnade, avoiding the sprawled bodies with ease. He approached the keep which gazed down with ridicule in its tall and slitted oculi.  

He went to the quatrefoiled door of bronze, the porter a skeleton at his post. He entered the maw, steps calling to its inhabitor. 

Clack, clack, clack through the passages, the Exile wended. The light hushed like evening sunshine, silencing the grave stillness already present. 

Crossed spears in stiff grips, the owners desiccated but still standing sentinel heralded the throne room.

Within sat a queen arrayed in yellow, her terrible eyes hidden beneath a hood at once ancient but opulent. Jewelry adorned her chest, great chains of platinum and gems, their luster seemingly dimmed in shade. Her arms were bare and as stark as a corpse’s. They were covered in scratches as if some unsatisfiable itch was beneath the skin. They ran to wrists covered in simple but regnant bands. She licked her cruor crusted lips as the Exile entered her hall. 

With rusted nails upon long and beautiful fingers, the gyden of the citadel gestured and her pet from beyond the throne came forth. Its scales were tarnished electrum, a paucity of xanthous beneath. Cinders were in its lambent gaze, expectation in its regard and in its taut musculature; a roar ready to blaze forth.  

Energy built in the angsty room long unaccustomed to pregnant moments.

"Welcome to the feast," the queen said as she motioned the Exile forward with ringed finger. A frisson shook his frame but he advanced, loosening the shroud upon the irregular bladed cross on his back. The hame of dubious origin fell to the cold stones. The Exile smiled, his fangs glinted. The Queen, fiendishly buttressed, stood and pulled back her hood, the red maligning stress of her eyes an apocalypse.

Thursday, April 13, 2023

Flashes of Wonder Prompt: Rendering Villainy through Costuming


UKA THE UNDYING, the zombie sorcerer, is experimenting with flashes of dark magicks to blast the minds of bards! Illustration provided by Mustafa Bekir.

"Flashes of Wonder" is posted irregularly. It will feature a sword and sorcery flash fiction prompt. -JRC

Rendering Villainy through Costuming

Sword and sorcery villains bear a lot of narrative weight. Memorable villains have complex personalities, their evil actions driven by specific and often contradictory motivations and psychodramas. But how can writers externalize such internal psychological elements for readers without resorting to long passages of inner monologue, a narrative technique often (though not always) precluded by sword and sorcery genre expectations? One often-overlooked tactic is costuming. Imagine a sword and sorcery villain and describe their costume in detail, using clothing, accessories, and colors to symbolize their inner psyche, i.e., to signal their motivations, their contradictory impulses. For example, maybe they wear all black to represent their cynical worldview, or they might display flashy jewelry to demonstrate their greed, or they might wear religious icons or symbols to clarify their loyalty to dark powers. Moreover, give a sense of time to their costuming; show how their appearance has evolved over time, thereby giving the reader an opportunity to reflect on their growth or descent into darkness. How does their wardrobe interact with the setting and other characters? Let the clothing speak for the villain and deepen their personality in unexpected ways. 300-500 words.

Note: We are interested in publishing a flash fiction responses to Flashes of Wonder prompts. If interested, please e-mail spiraltowerpress@gmail.com with the subject line, "Flashes of Wonder." 

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Monday, January 16, 2023

Call for Submissions for Whetstone (Issue 7)

 Submissions: OPEN (Issue 7)

• Submission deadline: Friday, March 31st, 2023, 11:59p.
• Editorial decisions: Sunday, May 7th.
• Publication of Issue 7: Friday, June 17th, 2023.

Special Guest Editor for Issue 7: Dr. Nicole Emmelhainz is Associate Professor of Composition and Rhetoric at Christopher Newport University, where she also directs the Alice F. Randall Writing Center and serves as Writing Program Administer. She received her MA in English from Ball State University, her MA in Creative Writing Poetry from Ohio University, and her PhD in Writing History and Theory from Case Western Reserve University. She is the co-editor for The Dark Man: Journal of Robert E. Howard and Pulp Studies and has presented widely on elements of pulp fiction, sword and sorcery, and feminism.

Length: We prefer short, compressed stories that are nevertheless complete and cohesive narratives (1500 to 2500 words). These limits are firm. No more, no less. Stories over or under the limit will not be read. We mean it, friends! This limit serves two functions: (1) the limit is an artistic challenge. It takes skill to tell a compressed, punchy story. (2) We are an amateur publication and only pay a token honorarium, so save your longer works for better paying markets.

Style: We prefer "dialog light, action heavy" fiction with vivid imagery that is unselfconsciously literary but nevertheless takes joy in an occasional old word that gives the breath of antiquity. Please eschew typographical emphasis and variation--e.g. bolding, italicizing, underlining (there are more artful ways of rendering verbal timbre).

Publication, payment, and rights: Issues will be published as .pdf files. If work is selected for publication in WHETSTONE, authors will (1) be paid an honorarium of $10 and (2) will be asked to provide, by contract, "First North American Serial Rights." In our opinion, this means that copyright is NOT transferred. All copyright stays with you, the writer; however, you will have sold/transferred a form of "exclusive use rights" called "First North American Serial Rights" (FNASR). This is the right to publish your unpublished work for the first time, and ONLY the first time, no more. The important thing to remember is that some professional publications may ask for FNASR upon acceptance of a specific work; you are not legally permitted to provide those for that specific work after publication in WHETSTONE, for you have already rendered their use to us. In other words, once you publish a work in WHETSTONE, that works' associated FNASR have been sold/transferred. You CAN publish your previously published work elsewhere as a reprint but only as long as that publication does not require FNASR. This is a long way of saying that WHETSTONE is an amateur publication, meant for showcasing emerging talent for the consideration of professional markets (which is why we kept the word count so low). In essence: save your best work for higher paying markets!

Submit: Proofread standard manuscripts should be sent to the publisher at spiraltowerpress@gmail.com as .doc or .docx attachments. Include the following subject line: "WHETSTONE: [Last Name]." Please keep cover letters brief. A story title and a one- or two-sentence bio is sufficient. If you have sold a story as a semi-pro or pro-rate, we appreciate the support but please refrain from submitting. We particularly encourage those who have not already been published to submit.

Managing Editor: Managing Editor: Jason Ray Carney is a Senior Lecturer in the Department of English of Christopher Newport University in Newport News, Virginia. He is the co-editor of the academic journal The Dark Man: Journal of Robert E. Howard and Pulp Studies and the area chair of the "Pulp Studies" section of the Popular Culture Association. He serves as the Academic Coordinator for the Robert E. Howard Foundation. He is the author of Weird Tales of Modernity (McFarland Press) and Rakefire and Other Stories (Pulp Hero Press).

Associate Editor: Chuck E. Clark lives in Southern Wisconsin with his wife and four children. He graduated from the University of Kentucky with a Political Science degree, apprenticed as a jeweler, joined the navy, and now fixes laser microscopes. He has been published in Whetstone and The August Derleth Society's newsletter, Sage of Sac Prairie. He loves collecting rocks, books, and whiskey.

Associate Editor: Luke E. Dodd is a scientist, devourer of music, and collector of hobbies. He is one of the three hosts of The Cromcast, a podcast dedicated to the works of Robert E. Howard and other weird fiction. He lives in Kentucky with his wife and son.

First Reader: Chase A. Folmar is a writer of all forms of speculative fiction, particularly in the vein of weird fantasy and horror. The central philosophy behind much of his work can be expressed most eloquently by weird fiction author Clark Ashton Smith, who wrote, “Only the impossible has any real charm; the possible has been vulgarized by happening too often.” A graduate of English Literature from the University of North Carolina at Asheville, he currently lives in Virginia with his wife and their horde of rescued pets. You can find all of his writings and other works on his website, www.chaseafolmar.com.

Updated 1/15/2023

Friday, December 16, 2022

Whetstone Issue 6 Now Available!

 

Whetstone Issue 6 is now available for free. You can download it HERE. This issue includes several great stories. Thanks to Chuck Clark (Associate Editor), Luke E. Dodd (Associate Editor), Nicole Emmelhainz and Grey Cashwell (First Readers) and all the great contributors for helping us release this issue. We hope you enjoy it! -JRC (Managing Editor)

Tuesday, November 15, 2022

Cover for Whetstone Issue 6 (Winter 2022)

Issue 6 (Winter 2022) will be published on Friday, December 16th, 2022. Here is the cover that is illustrated by the talented Maegan LeMay. 



Friday, August 12, 2022

Flashes of Wonder Prompt: The Reversal


UKA THE UNDYING, the zombie sorcerer, is experimenting with flashes of dark magicks to blast the minds of bards! Illustration provided by Mustafa Bekir.

"Flashes of Wonder" is posted irregularly. It will feature a sword and sorcery flash fiction prompt. -JRC

Reversals

Sword and sorcery plots are exciting. They are linguistic devices engineered to increase our pulse and respiration and to trigger the release of certain hormones: adrenaline, cortisol, dopamine, and more. They are most exciting at their climax point, their point of highest unresolved emotional tension. What do we mean by unresolved? Great climaxes are interesting because they involve protagonists we care about whose fates are yet to be decided. And climaxes are interesting because the stakes are so high. Almost always climaxes result in a transformation, of the protagonist, of the world, of the reader. 

Directly proceeding the climax is what we call the resolution, the narrative events that allow the pent up emotional tension to be dispersed. In endocrinological terms, certain hormones like adrenaline, cortisol, and dopamine are neutralized by resolutions. But there is a unique plot device deployed by some storytellers: the reversal. The reversal comes just after the resolution. Whatever happened in the climax--success, failure, or transformation--is swiftly, and often dramatically, reversed. This tool of the reversal is useful because it can extend the tension and set up an even more intense climax.    

Using the visual prompt of the sorcerer's tower provided above, write a 500 word scene that involves a protagonist resolving a conflict, and then render a reversal that reverses that resolution and sets up an even more intense climax.


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Tuesday, July 12, 2022

Flashes of Wonder Prompt: The Oval and the Nova

 

UKA THE UNDYING, the zombie sorcerer, is experimenting with flashes of dark magics to blast the minds of bards! Illustration provided by Mustafa Bekir.

"Flashes of Wonder" is posted irregularly. It will feature a sword and sorcery flash fiction prompt. -JRC

The Enigmatic Oval Room

There is an oval-shaped room. The floor is a seamless marble slab. Embedded in the marble slab are esoteric designs rendered in tiny threads of precious metal that glint and sparkle in the light. When anyone walks into this room, they are beset by vertigo, nausea, and a terrible sense of wrongness. If anyone lingers in the room, they get ear ringing, headaches, and bleeding from the nose and eyes; if they are foolish enough to linger, their skin becomes as wax and they melt and eventually disappear, evaporating like morning mist. If one listens closely, several sibilant whispers can be heard speaking in the room in tongues unknown.

Darko Suvin, a theorist of distinctively speculative fiction (i.e. science fiction, fantasy, and supernatural horror), developed the concept of "novum" in his famous monograph, Metamorphoses of Science Fiction (Yal UP, 1979). Suvin's "novum" are a fictional objects or entities that signal to the reader that the virtual world they are reading about is not constrained by established physical laws of known science. The unreal laws that govern this unreal world are different and mysterious. Accordingly, for Suvin, in much speculative fiction, "novum" cause a powerful artistic effect called "cognitive estrangement," a unique habit of mind, a form of intense intellectual hospitality that--and most importantly so--permits authors and readers to connect and harmonize over the hitherto unimaginable, e.g. bizarre plot hooks and conflicts that characters must respond to and sometimes (often) resolve through action. 

We offer the "oval room" (described above) as one of those "nova," as defined by Suvin. Using the "novum" of the enigmatic room above, write a sword and sorcery flash fiction of 400-800 words where a protagonist's desires are contradicted or impeded by the room and where that conflict is eventually resolved. In other words, write a story about how this room is encountered, how it throws up a roadblock to a character's pressing desire, and how that roadblock is overcome (or not) by that character.


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